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IVAN ARGOTE "Careless Talk" 2016 (laser cutting papers in books about photography and propaganda of the 1960s, 1970s and 1980s of different origin - neodymium, magnets, welded steel - seen in Art Basel 2016)

PETER GREENAWAY "In the beginning was the image" 2015 (seen at the 56th Venice Biennial, 2015, Italian Pavillion)

KURT COBAIN's Journals (seen in a documentary on YouTube)

JEPPE HEIN "This is a magic moment" 2016 (powder coated aluminium, neon tube, two-way mirror, powder coated steel, transformers, 100x100x10 cm - seen in Art Basel 2016)

RIRKRIT TIRAVANIJA "Do not ever work" 2016 (wood, digital printing, varnish - seen in Art Basel 2016)

IVAN ARGOTE "Careless Talk" 2016 (laser cutting papers in books about photography and propaganda of the 1960s, 1970s and 1980s of different origin - neodymium, magnets, welded steel - seen in Art Basel 2016)

LAURE PROUVOST "This sign is so enthousiastic" 2011 (oil, collage and varnish on board, 30x40cm - seen in Art Basel 2016)

RAYMOND PETTIBON (seen in the catalog "A pen of all work", edited by Massimiliano Gioni and Gary Carrion-Murayari, received while writing an article about Pettibon)

TRACEY EMIN "The more of you the more I love you" 2016 (158x600 cm - seen in Art Basel 2016)

IVAN ARGOTE "Careless Talk" 2016 (laser cutting papers in books about photography and propaganda of the 1960s, 1970s and 1980s of different origin - neodymium, magnets, welded steel - seen in Art Basel 2016)

KURT COBAIN's Journals (seen in a documentary on YouTube)

RAYMOND PETTIBON (seen in the catalog "A pen of all work", edited by Massimiliano Gioni and Gary Carrion-Murayari, received while writing an article about Pettibon)

ELLIOTT HUNDLEY "The stage blacked out" 2016 (paper, oil, glass, dried lotus, abalone shells, parabolic reflectors, plastic, pins, foam and linen on panel, 143.5×166.4×15.2 cm - seen in Art Basel 2016)

ANNE-LISE COSTE "You are not alone" 2014 (edition of 45 - seen in Art Basel 2016)

IVAN ARGOTE "Careless Talk" 2016 (laser cutting papers in books about photography and propaganda of the 1960s, 1970s and 1980s of different origin - neodymium, magnets, welded steel - seen in Art Basel 2016)

YAEL BARTANA "What if women ruled the world" 2016 (TL light, 250x98 cm - seen in Art Basel 2016)

KURT COBAIN's Journals (seen in a documentary on YouTube)

PAZ ERRAZURIZ ("Poetics of dissent", Paz Errázuriz, Lotty Rosenfeld - seen at the 56th Venice Biennial, 2015, Chilean Pavillion)

ADRIAN PIPER "The Probable Trust Registry" 2015 (seen at the 56th Venice Biennial, 2015)

CHIARA FUMAI "A male artist is a contradiction in terms" (seen in Bologna Arte Fiera)

KURT COBAIN's Journals (seen in a documentary on YouTube)

BANKSY (seen in a documentary on YouTube)

RAYMOND PETTIBON (seen in the catalog "A pen of all work", edited by Massimiliano Gioni and Gary Carrion-Murayari, received while writing an article about Pettibon)

ADRIAN PIPER "Everything" (photocopied photographs on graph paper, sanded with sand paper, overprinted with inkjet text - seen at the 56th Venice Biennial, 2015)

PETER GREENAWAY "In the beginning was the image" 2015 (seen at the 56th Venice Biennial, 2015, Italian Pavillion)

HANS HAACKE "MOMA-Poll" 1970 (two transparent ballot boxes with automatic counters, realized for the exhibition "Information" at the MoMA New York in 1970 - seen at the 56th Venice Biennial, 2015)

OLGA CHERNYSHEVA "Untitled" (charcoal on paper - seen at the 56th Venice Biennial, 2015)

MARCO MAGGI "Global Myopia (pencil & paper)" (seen at the 56th Venice Biennial, 2015, Uruguay Pavillion)

A wall in Venice (seen while walking around, during the 56th Venice Biennial, 2015)

BRUCE NAUMAN "American Violence" 1981-82 (neons with clear glass tubing suspension-frame - seen at the 56th Venice Biennial, 2015)

OLGA CHERNYSHEVA "Untitled" (charcoal on paper - seen at the 56th Venice Biennial, 2015)

OLGA CHERNYSHEVA "Untitled" (charcoal on paper - seen at the 56th Venice Biennial, 2015)

ADRIAN PIPER "The Probable Trust Registry" 2015 (seen at the 56th Venice Biennial, 2015)

PAZ ERRAZURIZ ("Poetics of dissent", Paz Errázuriz, Lotty Rosenfeld - seen at the 56th Venice Biennial, 2015, Chilean Pavillion)

PETER GREENAWAY "In the beginning was the image" 2015 (seen at the 56th Venice Biennial, 2015, Italian Pavillion)

BRUCE NAUMAN "American Violence" 1981-82 (neons with clear glass tubing suspension-frame - seen at the 56th Venice Biennial, 2015)

OLAF BREUNING "We only move when something changes" 2002 (laminated C-print on aluminium, 122x155 cm, edition of 5 - seen in Art Basel 2016)

JEPPE HEIN "You are perfect as you are" 2013 (seen at Frieze New York 2014)

Seen at the Outsider Art Fair New York in 2014

Seen at the Outsider Art Fair New York in 2014

Seen at the Outsider Art Fair New York in 2014

Seen at the Outsider Art Fair New York in 2014

I don't remember where I saw this

Seen in a catalog I received at the Museum Gugging

RIRKRIT TIRAVANIJA "Demonstration Drawings" 2007 (one hundred drawings, graphite on paper, MDF frames - seen at the 56th Venice Biennial, 2015))

ALEXANDER GIRARD (seen at the Vitra Desing Museum, Basel, 2016)

OSWALD TSCHIRTNER (seen in a catalog I received at the Museum Gugging)

Seen in a catalog I received at the Museum Gugging

MATT MULLICAN "That person", part of a huge installation seen the 55th Venice Biennial, 2013

EVA KOTATKOVA "Asylum" 2013 (mix media installation - seen at the 55th Venice Biennial, 2013)

EVA KOTATKOVA "Asylum" 2013 (mix media installation - seen at the 55th Venice Biennial, 2013)

I don't remember where I read this

ADRIAN PIPER "Everything" (photocopied photographs on graph paper, sanded with sand paper, overprinted with inkjet text - seen at the 56th Venice Biennial, 2015. The word "NOTHING" is mine, written over the word "EVERYTHING")

ARTUR ZMIJEWSKI, label of his work, seen at the 55th Venice Biennial, 2013

EVA KOTATKOVA "Asylum" 2013 (mix media installation - seen at the 55th Venice Biennial, 2013)

ELLIOTT HUNDLEY "The stage blacked out" 2016 (paper, oil, glass, dried lotus, abalone shells, parabolic reflectors, plastic, pins, foam and linen on panel, 143.5×166.4×15.2 cm - seen in Art Basel 2016)

JOSEPH KOSUTH "No Number #19" 1991 (seen at the 55th Venice Biennial, 2013)

JOSEPH KOSUTH "Mondrian's work IX" 2015 (silkscreen on glass, white neon mounted directly on the wall, 204x200 cm - seen in Art Basel 2016)

JOSEPH KOSUTH "Mondrian's work IX" 2015 (silkscreen on glass, white neon mounted directly on the wall, 204x200 cm - seen in Art Basel 2016)

JOSEPH KOSUTH "Mondrian's work IX" 2015 (silkscreen on glass, white neon mounted directly on the wall, 204x200 cm - seen in Art Basel 2016)

ELLIOTT HUNDLEY "The stage blacked out" 2016 (paper, oil, glass, dried lotus, abalone shells, parabolic reflectors, plastic, pins, foam and linen on panel, 143.5×166.4×15.2 cm - seen in Art Basel 2016)

LANI MAESTRO "No pain like this body" (seen at the 57th Venice Biennial, 2017, Philippines Pavillion)

ERWIN WURM (seen at the 57th Venice Biennial, 2017, Austrian Pavillion)

NATHANIEL MELLORS and ERKKA NISSINEN "The Aalto Natives" (seen at the 57th Venice Biennial, 2017 - Finland Pavillion)

CODY CHOI "Venetian Rhapsody" 2017 (part of the exhibition “Counterbalance: The Stone and the Mountain”, CODY CHOI and LEE WAN, seen at the 57th Venice Biennial, 2017 - Korea Pavillion)

JOHN WATERS "Study Art Sign (Pride or Power)" 2007 (acrylic urethane on wood and aluminium - seen at the 57th Venice Biennial, 2017)

Seen at the 57th Venice Biennial, 2017

Seen at the 57th Venice Biennial, 2017

CODY CHOI "Venetian Rhapsody" 2017 (part of the exhibition “Counterbalance: The Stone and the Mountain”, CODY CHOI and LEE WAN, seen at the 57th Venice Biennial, 2017 - Korea Pavillion)

Seen at the 13th Biennale de Lyon, 2015

JESSICA DIAMOND (seen at the 13th Biennale de Lyon, 2015)

NATHALIE DJURBERG & HANS BERG (seen in Art Basel 2016)

LOUISE LAWLER (seen in the layout of an article I wrote about her)

ALEXA KAROLINKSI and INGO NIERMANN ("Army of Love", seen before writing a brief presentation for the show "Metamorphoses. Let everything happen to you", Castello di Rivoli, April 2018)

ALEXA KAROLINKSI and INGO NIERMANN ("Army of Love", seen before writing a brief presentation for the show "Metamorphoses. Let everything happen to you", Castello di Rivoli, April 2018)

JEREMY DELLER ("Sacrilege" 12th April 2018, Milan - blackboard at the entrance of the installation, seen before interviewing the artist)

SILVIA LEVENSON "Be happy" 2016-2018 (seen at Miart 2018)

Seen at Miart 2018

Seen at Miart 2018

Seen at Miart 2018

JEREMY DELLER (seen on the web)

TOM POLO "All I know" 2014 (a series of six billboards seen in succession whilst travelling on the train line, between Minto and Ingleburn Stations. Each sign, 250 x 500 cm - seen on his website)

TOM POLO "But how are you otherwise" 2015 (site responsive painting-environment, conceived on site at Artspace, Sydney - seen on his website)

TOM POLO "Disappointed with Everything (Not Everyone)" 2011 (seen on "The A to Z of Contemporary Art - ABC News Artscape")

TOM POLO "Ineffective Communication" 2010 (acrylic on canvas 46x66 cm - seen on his website)

TOM POLO "You are excellent" 2010 (acrylic on board, 60x60 cm - seen on his website)

TOM POLO "It's really good" 2011 (acrylic on canvas, 125x186 cm - seen on his website)

WILLIAM KENTRIDGE (seen on a documentary on Youtube)

WILLIAM KENTRIDGE (seen on a documentary on Youtube)

Art Basel 2018 (seen on Youtube)

GRAYSON PERRY (seen on the web)

BRUCE NAUMAN (I don't remember where I saw this)

BRUCE NAUMAN (I don't remember where I saw this)

RAYMOND PETTIBON "No Title (All the materialism...)" 1991 (seen in the catalog "A pen of all work", edited by Massimiliano Gioni and Gary Carrion-Murayari, received while writing an article about Pettibon)

RAYMOND PETTIBON "No Title (I see them...)" 1990 (seen in the catalog "A pen of all work", edited by Massimiliano Gioni and Gary Carrion-Murayari, received while writing an article about Pettibon)

RACHEL ROSE talking about "Everything and more" (seen in an interview on the web while preparing mine to her)

JOHANNES KAHRS's comment on his own work, written on "Feed my soul"'s label (seen at the Biennale de Lyon, 2015)

EARL GREYHOUND (screenshot of a line from their "Shotgun" lyrics, seen on the web)

TIM NOBLE & SUE WEBSTER, "Fuckinbeautiful" (ice blue version, 2017), 6 neon sections, transformers 168x148x6.5 cm - seen on their website)

TIM NOBLE & SUE WEBSTER "Forever, Pink Neon" 2015 (330 warm white reflector caps, lamps and holders, 99b red neon, matte whited stoved enamelled aluminium, 7 neon transformers, 4x3-channel DMX decoders, DMX blue box, power supply - seen on their website)

TIM NOBLE & SUE WEBSTER "Nihilistic Optimistic" 2012 (42,4x153,6 cm - seen on their website)

TIM NOBLE & SUE WEBSTER "Forever, Yellow Neon" 2015 (330 warm white reflector caps, lamps and holders, yellow neon, matte whited stoved enamelled aluminium, 7 neon transformers, 4x3-channel DMX decoders, DMX blue box, power supply - seen on their website)

SVETLANA ALEXIEVICH talking about her writing (seen in "Nobel Minds 2015" on Youtube)

Title of a show by BILL VIOLA (seen on a documentary about him on Youtube)

TIM NOBLE & SUE WEBSTER "Walk on Water" 1998 (seen on their website)

TIM NOBLE & SUE WEBSTER "Walk on Water" 1998 (seen on their website)

TIM NOBLE & SUE WEBSTER "Walk on Water" 1998 (seen on their website)

TIM NOBLE & SUE WEBSTER "Walk on Water" 1998 (seen on their website)

SVETLANA ALEXIEVICH talking about her writing (seen in "Nobel Minds 2015" on Youtube)

TIM NOBLE & SUE WEBSTER "Forever" 2001 (seen on their website)

Seen in an online article about RYAN MCGINLY and SIGUR ROS

RAYMOND PETTIBON "Use the moon" (seen in Artissima 2018 at InArco's booth)

Seen at Artissima 2018

Seen at Artissima 2018

Seen at Artissima 2018

RAYMOND PETTIBON (seen in Artissima 2018 at InArco's booth)

RAYMOND PETTIBON (seen in the catalog "A pen of all work", edited by Massimiliano Gioni and Gary Carrion-Murayari, received while writing an article about Pettibon)

LES LEVINE "We are not afraid" 1980 (seen at Artissima 2018)

Seen at Artissima 2018

HITO STEYERL "The City of Broken Windows" 2015 (seen at her solo show at the Castello di Rivoli, November 11th 2018)

JEPPE HEIN "This is a magic moment" 2016 (powder coated aluminium, neon tube, two-way mirror, powder coated steel, transformers, 100x100x10 cm - seen in Art Basel 2016)

Seen at Artissima 2018

DAVID LYNCH (seen on the web while writing a short presentation of "Someone is in my house", his solo show at the Bonnefantem Museum in Maastricht, November 2018 - April 2019)

I don't remember where I saw this one

RAYMOND PETTIBON (seen in the catalog "A pen of all work", edited by Massimiliano Gioni and Gary Carrion-Murayari, received while writing an article about Pettibon)

HITO STEYERL "The City of Broken Windows" 2015 (seen at her solo show at the Castello di Rivoli, November 11th 2018)

JEFFREY GIBSON "Higher ground", 2018 (acrylic on canvas, glass beads, artificial sinew, wooden frame), seen in Breakfast with ARTnews

MEL BOCHNER "It’s Always Something / It Goes Without Saying" 2018 (oil on velvet, in two parts), seen in Breakfast with ARTnews

MARC JACOBS, former creative director of Louis Vuitton, about Yayoi Kusama (comment on The 100 Most Influential People 2016)

Frame from "Behind the Banksy stunt" made by The Art Assignment (video series about art history, seen on the web)

DAVID LYNCH (seen on the web while writing a short presentation of "Someone is in my house", his solo show at the Bonnefantem Museum in Maastricht, November 2018 - April 2019)

RAYMOND PETTIBON (seen in the catalog "A pen of all work", edited by Massimiliano Gioni and Gary Carrion-Murayari, received while writing an article about Pettibon)

BETYE SAAR "Extreme Times Call for Extreme Heroines" 2017 (seen on the web)

Title of a show held somewhere in New York between October 2018 and March 2019 (seen on the web)

OLIVIA STEELE "C'est la vie" 2018 (seen in ArtnetNews)

TRACEY EMIN "Is legal sex anal?" 1998 (seen in ArtnetNews)

Seen on the web

Part of an installation seen on the web (shown - I guess - at the 57th Venice Biennial, 2017, Philippines Pavillion)

Film director DARREN ARONOFSKY talking to PRUNE NOURRY (ar reported by Artnet News about the film "Serendipity")

Seen somewhere online, saved as my deepest wish for my brother

JENNY HOLZER, "New Corner", 2011 (from an article about the solo show 'The Whole Truth', GAMeC Bergamo, August 2019)

AYA BEN RON (a sentence from her "First Aid Book", 2003)

AYA BEN RON (a sentence from her "First Aid Book", 2003)

MARIO MERZ

MARIO MERZ

MARIO MERZ

JENNY HOLZER (from her Instagram page)

LUKE WILLIS THOMPSON, Black Leadership (from his solo show "Hysterical Strength", GAMeC, Bergamo, August 2019)

JENNY HOLZER, The Whole Truth (solo exhibition at Palazzo della Ragione, Bergamo, August 2019)

JENNY HOLZER, The Whole Truth (solo exhibition at Palazzo della Ragione, Bergamo, August 2019)

JENNY HOLZER, The Whole Truth (solo exhibition at Palazzo della Ragione, Bergamo, August 2019 - "Just you", 2019, Text: “Letter Poem #3” from Collected Poems by James Schuyler, © 1993 by the author’s estate)

PIPILOTTI RIST, frame of a video seen in her solo show "Open my Glade" (Louisiana Museum of Modern Art, Humlebæk - Denmark, 21st September 2019)

PIPILOTTI RIST, frame of a video seen in her solo show "Open my Glade" (Louisiana Museum of Modern Art, Humlebæk - Denmark, 21st September 2019)

PIPILOTTI RIST, part of an installation seen in her solo show "Open my Glade" (Louisiana Museum of Modern Art, Humlebæk - Denmark, 21st September 2019)

LAUREN GREENFIELD, detail of a picture seen in her solo show "Generation Wealth" (Louisiana Museum of Modern Art, Humlebæk - Denmark, 21st September 2019)

MEL BOCHNER, part of "It’s Always Something / It Goes Without Saying" 2018 (oil on velvet, in two parts), seen in Breakfast with ARTnews

CARRIE MAE WEELS, "Question 109", in Hans Ulrich Obrist Instagram, 23rd October 2019

AGNES MARTIN, MoMa Instagram post on the 23rd of October 2019

KIMI HANAUER (part of a text seen somewhere online)

LUDOVICA CARBOTTA (detail of an installation, seen somewhere online)

OLAF BREUNING, Too much, 2015

Seen, I guess, in MATT MULLICAN solo show at Hangar Pirelli, Milan (September 2018, with Jol and Cristian)

RAYMOND PETTIBON (seen in the catalog "A pen of all work", edited by Massimiliano Gioni and Gary Carrion-Murayari, received while writing an article about Pettibon)

JOHN BALDESSARI "What is painting" 1966-68, synthetic polymer paint on canvas

JOHAN DECKMANN (from his website)

TANO FESTA, fragment of an interview on his website

JOHAN DECKMANN (from his website)

JOHAN DECKMANN (from his website)

ANDREA BOWERS

quotation inserted in a documentary about Peggy Guggenheim

me writing on a detail of a photo taken in Hans Op De Beeck studio in Bruxelles

JENNY HOLZER, Inflammatory Essays, seen in a Youtube video

JEREMY DELLER, ‘More Poetry is Needed, Swansea, 2014’ from “Odds and Sods (for Parkett no. 95).” 2014. One from a portfolio of five screenprints, composition and sheet: 29,9 × 39,9 cm). Publisher: Parkett Publishers. From March 17th 2020 MoMA Instagram

DAVID KRAMER, CELINE (A Celine Men's Spring 2020 jacket featuring artwork by David Kramer, from Artnet News)

Unknown, from UBUWEB (section "Outsiders: Visual", subsection: "Assorted", title: "Often when I day dream")

HANS ULRICH OBRIST on Flash Art, 8th May 2020

BANKSY handwriting in his letter to Danny Boyle

Subtitles from a stand-up show by SIMON AMSTELL

LUCIANO FABRO, seen at Gamec Bergamo

Screenshot of an article read online

JA’TOVIA GARY (detail, seen somewhere online)

MATT MULLICAN (detail of a work from the press release of his solo show at Mac's, Grand-Hornu, Belgium, 16.02-18.10.2020)

MATT MULLICAN (detail of a work from the press release of his solo show at Mac's, Grand-Hornu, Belgium, 16.02-18.10.2020)

MATT MULLICAN (detail of a work from the press release of his solo show at Mac's, Grand-Hornu, Belgium, 16.02-18.10.2020)

MATT MULLICAN (detail of a work from the press release of his solo show at Mac's, Grand-Hornu, Belgium, 16.02-18.10.2020)

MATT MULLICAN (detail of a work from the press release of his solo show at Mac's, Grand-Hornu, Belgium, 16.02-18.10.2020)

MATT MULLICAN (detail of a work from the press release of his solo show at Mac's, Grand-Hornu, Belgium, 16.02-18.10.2020)

MATT MULLICAN (detail of a work from the press release of his solo show at Mac's, Grand-Hornu, Belgium, 16.02-18.10.2020)

MATT MULLICAN (detail of a work from the press release of his solo show at Mac's, Grand-Hornu, Belgium, 16.02-18.10.2020)

Maurizio NANNUCCI, 'And what about the truth', 2006, shown at the Triennale, Milan (seen somewhere online)

Jospeh KOSUTH, 'Four Colors Four Words (Orange-Violet-Green-Blue)', 1966 (seen somewhere online)

screenshot from 'A keynote speech at the Edinburgh International Film Festival' 8Saturday 17th August 2002), by Tilda Swinton, sent me by Raffaella

Julian SCHNABEL in conversation with Tracy EMIN, 2006

screenshot of the object of an email, received by Sarah Selecky Newsletter in May 2021

screenshot of a Facebook post by Raffaella

screenshot of a quote by Annibale Carracci (I don't remember the source)

screenshot of a work by James Lee BYARS, seen online while writing an article (September 2023) about its upcoming solo show at the Hangar Bicocca in Milan

RAYMOND PETTIBON - No Title (I am also...), 2007

Tools for practice:

THOMAS HEATHERWICK, "Seed Cathedral" (UK Pavilion, Shanghai World Expo, 2010. Photo by Iwan Baan. Courtesy of Heatherwick Studios. From Artsy)

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